翻訳と辞書 ・ Piano Trio No. 3
・ Piano Trio No. 3 (Brahms)
・ Piano Trio No. 3 (Schumann)
・ Piano Trio No. 39 (Haydn)
・ Piano Trio No. 4
・ Piano Trio No. 4 (Dvořák)
・ Piano trio repertoire
・ Piano Trio, Op. 11 (Beethoven)
・ Piano Trio, Op. 97 (Beethoven)
・ Piano Trio, WoO. 38 (Beethoven)
・ Piano Trios, Op. 1 (Beethoven)
・ Piano Trios, Op. 70 (Beethoven)
・ Piano trolley
・ Piano tuning
・ Piano Variations
・ Piano Variations (Copland)
・ Piano Vibrations
・ Piano Vortex
・ Piano wire
・ Piano Wire Smile
・ Piano Works
・ Piano works (Bruckner)
・ Piano á la Mode
・ Piano, Bass and Drums
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・ Piano, Piano
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| Piano Variations (Copland) ： ウィキペディア英語版 |
Piano Variations (Copland)
The Piano Variations of American composer Aaron Copland were written for piano solo from January to October 1930. They were dedicated to American writer Gerald Sykes and were originally published by Cos Cob Press in 1932, which merged with Arrow Music Press in 1938 and was taken over by Boosey & Hawkes in 1956. The approximate performance time is 11 minutes.
==Background==
The Piano Variations were a product of Copland's second-style period, also called the abstract period, which comprised only instrumental (non-vocal) compositions. During this time, the composer moved away from the jazzy idioms he experimented with in the 1920s and started working more in the direction of absolute music. The influence of composition pedagogue Nadia Boulanger, with whom Copland studied in Paris at the Fontainebleau School of Music for Americans, is prevalent in the formal style, logic, patterns, and attention to detail in the Piano Variations and other works in this period.
Copland stated that he worked on the variations individually without an agenda for fitting them together or sequencing them, which seems to contradict the piece's highly ordered construction and seemingly inevitable development. Copland acknowledged this contradiction but maintained that, in fact, "One fine day when the time was right, the order of the variations fell into place" . Copland had ambitious plans for this "serious piano piece" — the first of three including the Piano Variations (1930), the Piano Sonata (1939-41), and the Piano Fantasy (1957); he worked painstakingly and thought at epic proportions, saying he "should like to call them like Bach did the ''Goldberg Variations'' — but thus far haven't been able to think up a good one."
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